English Classicist Painter, 1841-1893 He showed precocious artistic talent as a child and entered the Royal Academy Schools in London in 1858. His early work shows a Pre-Raphaelite influence common to his generation. The watercolour Study of an Ash Trunk (1857; Oxford, Ashmolean) is very Ruskinian in its precise handling of naturalistic detail. Moore made two visits abroad: in 1859 to France with the architect William Eden Nesfield and in the winter of 1862-3 to Rome with his brother John Collingham Moore. Elijah's Sacrifice (1863; exh. RA 1865; Bury St Edmunds, A.G.), one of Moore's earliest large-scale oil paintings, was executed while he was in Rome. Its biblical subject and sombre tone are typical of his output in the early 1860s and relate to the work of Ford Madox Brown and Edward Armitage.   Related Paintings of Moore, Albert Joseph :. | Pansies | Seagulls | Lilies | A Garden | Pomegranites |
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Juan Carreno de Miranda
English: Juan Carreño de Miranda (March 1614-September 1685) was a Spanish painter of the Baroque period. Español: Juan Carreño de Miranda (Aviles, 1614 - Madrid, 1685) fue un pintor español del siglo XVII, que destace en la Corte española de Felipe IV, y, sobre todo, Carlos II.
Henry Peacham
1546 - 1634
Kuhn Walt
American cartoonist and painter, 1877-1949 was an American painter and was an organizer of the modern art Armory Show of 1913, which was the first of its genre in America. Kuhn was born in Brooklyn, New York City. At 15, Kuhn sold his first drawings to a magazine and signed his name ??Walt.?? In 1893, he enrolled in art classes at the Brooklyn Polytechnic Institute. In 1899, Kuhn set out for California with only $60 in his pocket. Upon his arriving in San Francisco, he became an illustrator for WASP Magazine. In 1901, Walt left for Paris, where he briefly studied art at the Acad??mie Colarossi before leaving to the Royal Academy in Munich. Once in the capital of Bavaria, he studied under Heinrich von Zugel (1850-1941), a member of the Barbizon School. In 1903, he returned to New York and was employed as an illustrator for local journals. In 1905, he held his first exhibition at the Salmagundi Club, establishing himself as both a cartoonist and a serious painter. In this same year, he completed his first illustrations for LIFE magazine. When the New York School of Art moved to Fort Lee, NJ in the summer of 1908, Kuhn joined the faculty.